Your Road Map to Effortless Bebop Lines:

Build Real Fluency Over the Most Important Core Progressions and Craft Inspired Solos!

Feeling Lost Playing Changes?

Ever find yourself stumbling through solos, second-guessing every note you play? Many jazz musicians reach a plateau where practice feels like an endless loop of scales and memorized licks—yet their lines still sound forced. The truth is, there’s a simpler, more natural way to feel at home in the chord changes.

It’s frustrating, but it doesn’t have to be permanent. What if you had a system that turned must-know progressions into a melodic playground—where every note felt purposeful and connected to the changes? That’s exactly what Bop Blocks Book One is all about.

Four Fundamental Chord Progressions.

Master the most essential sequences Bop Blocks (four measure chord progressions) that form the backbone of the American songbook. By using the six Bebop Boot Camp shapes, you’ll move beyond rote memorization and start playing lines that feel natural and connected to the harmony.

Major ii-V-I: The Progression at the Core of It All

This classic progression anchors countless standards, from “Autumn Leaves” to “All the Things You Are.” Bop Blocks tackles major ii–V–I by showing you how to outline each chord with melodic shapes—no more guesswork or aimless scales. Expect smoother voice leading and richer harmonic awareness, so you can finally hear every note before you play it.

Minor ii-V-i: Moody, Mysterious, Essential

From ballads to Latin grooves, the minor ii–V–i is your gateway to a darker, more expressive sounds. With the Bop Blocks approach, each chord chunk transforms into a melodic line that captures the mood—perfect for nailing those introspective solos or that smoky late-night vibe. You’ll quickly see how “minor” doesn’t have to mean “difficult.”

I-VI-ii-V: The Classic Turnaround You Hear Everywhere

Heard in everything from swing tunes to modern standards, I–VI–ii–V is the quintessential turnaround. Bop Blocks Book One teaches you how to link these four chords seamlessly, so your lines flow with a logical sense of movement—no clunky transitions. Once you own I–VI–ii–V, you’ll spot it (and dominate it) in half the Real Book.

iii–VI–ii–V: The Turnaround That Keeps the Tune Going

This block isn’t some hidden secret—it’s everywhere in jazz. Pros love to vamp on iii–VI–ii–V at the end of tunes because it keeps the energy high and leads back into the form with a smooth, familiar flow. In Bop Blocks Book One, you’ll see how shape-based combos make it easy to navigate each chord without stumbling.

Take a Quick Look Inside:

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Check Out These First Impressions

Real Thoughts from Early Adopters:

Joe Settlemires (web)
"Pro Tested, System Unmatched"
5/5

“I’ve been playing and recording professionally for over 60 years, and I’m always searching for ways to improve my solos. Kenyon’s system is the best I’ve found—if you’re serious about jazz, this is the one for you.”

- Joe Settlemires, Professional Guitarist

Woody Leonard 2 (web)
"Improv Demystified With Shapes."
5/5

“I used to think improv was a ‘born-with-it’ gift. But Kenyon’s shape-based approach breaks everything into short, manageable segments, dispelling the mystery and frustration us amateurs face. In just the first ten pages, I learned new concepts that immediately leveled up my playing. Bravo!”

- Woody Leonard, Retired Band Director & Jazz Educator

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